Telugu movie history

TELUGU MOVIES HISTORY

HYDERABAD IMAX CINEMA HALL

                               
                          Telugu cinema, also known as Tollywood, is a part of Indian cinema based in Hyderabad, India. Since 1909, Raghupathi Venkaiah Naidu was involved in many aspects of Indian cinemas history like producing short films, travelling to different regions in Asia to promote film work. In 1921, he produced the first silent film Bhishma Pratigna. He is cited as the father of Telugu cinema.

The 1951 film Patala Bhairavi was the first South Indian film which was showcased at the first India International Film Festival, held in Mumbai on 24 January 1952. CNN-IBN's poll of the 100 landmark Indian Films of All Time listed Patala Bhairavi (1951),Malliswari (1951), Devadasu (1953), Mayabazar (1957), Nartanasala (1963), Maro Charithra (1978), Maa Bhoomi (1979),Sankarabharanam (1979), Sagara Sangamam (1983), and Siva (1989).

In the years 2005, 2006 and 2008 the Telugu language film industry has produced the largest number of films in India exceeding the number of films produced in Bollywood. The industry holds the Guinness World Record for the largest film production facility in the world. The Prasads IMAX located in Hyderabad is one of the largest 3D IMAX screen, and the most attended cinema screen in the world.

As per the CBFC report of 2012, the industry is placed second in India, in terms of films produced yearly. The industry holds amemorandum of understanding with Motion Picture Association of America to combat video piracy. Contemporary films likeDookudu (2011), Eega (2012), and Attarintiki Daredi (2013) have each grossed more than  100 crore at the box office.

Early development

The Telugu film industry originated with silent films in 1912, with the production and release of Bhisma Pratighna in 1921  The film was directed byRaghupathi Venkaiah Naidu and his son R. S. Prakash. On the other hand, Yaragudipati Varada Rao and, R. S. Prakash Rao have established a long-lasting precedent of focusing exclusively on religious themes; Nandanar, Gajendra Moksham, and Matsyavatar, three of their most noted productions, centred on religious figures, parables, and morals. In 1935, Andhra Cine Tone was built in Visakhapatnam by Gottumukkala Jagannadha Raju. He introduced digital theater sound with the 1933 film Jagadamba.

Rise of the talkie

In 1933, East India Film Company has produced its first Indian film Sati Savithri in Telugu, Shot in Calcutta on a budget of  75 thousand, based on a popular stage play by Mylavaram Bala Bharathi Samajam, the film was directed by father of Telugu theater movement, C. Pullaiah, casting stage actorsVemuri Gaggaiah and Dasari Ramathilakam as Yama and Savithri, respectively. The blockbuster film has received an honorary diploma at Venice Film Festival. The first film studio in South India, Durga Cinetone was built in 1936 by Nidamarthi Surayya in Rajahmundry, Andhra Pradesh.

By 1936, the mass appeal of film allowed directors to move away from religious and mythological themes.That year, under the direction of Krithiventi Nageswara Rao, Prema Vijayam, a film focusing on social issues, was released. Its success prompted the production of dozens of other immensely successful 'social films', notably 1939's Vandemataram, touching on societal problems like the practice of giving dowry, Telugu films increasingly focused on contemporary living: 29 of the 96 films released between 1937 and 1947 had social themes.

In 1938, Gudavalli Ramabrahmam, has co-produced and directed the social problem film, Mala Pilla which dealt with the crusade against untouchability, prevailing in pre-independent India.  In 1939, He directed Raithu Bidda, starring thespian Bellary Raghava. The film was banned by the British administration in the region, for depicting the uprise of the peasantry among the Zamindar's during the British raj.

1940 film, Vishwa Mohini, is the first Indian film, depicting the Indian movie world. The film was directed by Y. V. Rao and scripted by Balijepalli Lakshmikanta Kavi, starring Chittor V. Nagaiah in the lead role. 1951 film Malliswari is the first Telugu film, to be screened at International film festivals like Asia Pacific Film Festival. The film had a public release with thirteen prints along with Chinese subtitles at Beijing on 14, March 1953, and a 16 mm film print was also screened in the United States. The film was directed by Bommireddy Narasimha Reddy, the first person to receive the Dada Saheb Phalke Award from South Indian film industry. He was the first Indian film personality, to receivePadmabhushan in 1974, and the Doctor of Letters honour.

INDUSTRY:

Moola Narayana Swamy and B. N. Reddy founded Vijaya Vauhini Studios in 1948 based in Chennai. Indian film doyen L. V. Prasad, who started his film career with Bhakta Prahlada, founded Prasad Studios in 1956 based in Chennai. However, through the efforts of D. V. S. Raju, the Telugu film industry completely shifted its base from Chennai to Hyderabad in the early 1990s, during N. T. Rama Rao's political reign.

Veteran actor Akkineni Nageswara Rao relocated to Hyderabad and has developed Annapurna Studios. The Telugu film industry is one of the three largest film producers in India. About 245 Telugu films were produced in 2006, the highest in India for that year. Film studios in Andhra Pradesh, developed by D. Ramanaidu and Ramoji Rao, are involved in prolific film production and employment. There is a fair amount of dispersion among the Indian film industries. Many successful Telugu films have been remade by the Hindi and Tamil film industries. The industry also remakes a few Hindi, Tamil and Malayalam films. Some Tamil, Malayalam and Kannada films are dubbed into Telugu on release.

The digital cinema network company UFO Moviez marketed by Southern Digital Screenz (SDS) has digitized several cinemas in the region.The Film and Television Institute of Andhra Pradesh, Ramanaidu Film School and Annapurna International School of Film and Media are some of the largest film schools of India. The Seemandhra and Telangana regions consists of approximately 2800 theatres, the largest number of screens in India.

The Nandi Awards is the highest award ceremony for excellence in Telugu cinema, Theatre and Television, presented annually at Lalitha Kala Thoranam in Hyderabad, India, by Film, Television and Theatre Development Corporation of the Government of Andhra Pradesh. "Nandi" means "bull", the awards being named after the big granite bull at Lepakshi — a cultural and historical symbol of Andhra Pradesh.

Telugu language history

 ETYMOLOGY :

                                                                                                                                                                             The etymology of "Telugu" is not known for certain. It is thought to have been derived from trilinga, as in Trilinga Desa, "the country of the three lingas". According to a Hindu legend,Shiva descended as a linga at three places: Kaleswaram in Telangana, Srisailam in Rayalaseema and Bhimeswaram in Coastal Andhra; in the legend, these marked the boundaries of the Telugu country. According to Marepalli Ramachandra Sastry, "Telu" means white and "unga" means plural in Gondi. Another possible origin of the word comes from the original, non-Sanskritized name of the Godavari River, "Tella Nadi". The people who inhabited the land around the Godavari were known as the Tellas, and from this term came the word "Telungu". Yet another possible derivation comes from the sequence of Eastern Indian place names consisting of Anga, Vanga, Banga, Kalinga, Telinga, Taminga. A similar sequence in Western India consists of Sourata, Gujarata, Marata, Karnata, and Kerata. A proper analysis is required to discern the significance, if any, of these sequences.

However, there are three words (versions) used to indicate the language. (1) Tenungu (Tenugu ) (2) Telungu (Telugu ) and (3) Telangu (Telagu). In the ester Year classical literature, it was never referred to as Telugu. It is always referred as "Tenungu". In the very own language script it used be written with as "Telu(gu" or Tenun(gu" or "Tela(gu". It is only with the printing press technology, the (part got slowly dropped.

History:

According to the Russian linguist Andronov, Telugu was split from Proto-Dravidian languages between 1500–1000 BC.

Earliest records :

The earliest epigraphic record of the Telugu language dates to the late 6th century CE. However, there have been proposals of traces of Telugu recorded before that date. Some Telugu words appear in the Maharashtri Prakrit anthology of poems (the Gatha Saptashati) collected by the 1st century BCE Satavahana King Hāla.

Inscriptions containing Telugu words claimed to "date back to 400 B.C." were discovered in Bhattiprolu in Guntur district. The English translation of one inscription reads: "Gift of the slab by venerable Midikilayakha".

Post-Ikshvaku period :

Main article: Early Telugu epigraphy

575 AD to 1022 AD: The first inscription that is entirely in Telugu corresponds to the second phase of Telugu history, after the Andhra Ikshvaku period. This inscription, dated 575 AD, was found in the Rayalaseema region and is attributed to the Renati Cholas, who broke with the prevailing custom of using Sanskrit and began writing royal proclamations in the local language. During the next fifty years, Telugu inscriptions appeared in Anantapuram and other neighboring regions.

Telugu was more influenced by Sanskrit and Prakrit during this period, which corresponded to the advent of Telugu literature. This literature was initially found in inscriptions and poetry in the courts of the rulers, and later in written works such as Nannayya's Mahabharatam (1022 AD). During the time of Nannayya, the literary language diverged from the popular language. This was also a period of phonetic changes in the spoken language.

Great telugu leaders :

potti sreeramulu and mahatma gandhi

NTR

Literature :

Telugu literature is generally divided into six periods:

In the Telugu literature Tikkana was given agraasana (top position) by many famous critics. In the earliest period there were only inscriptions from 575 AD onwards. Nannaya's (1022–1063) translation of the Sanskrit Mahabharata into Telugu is the earliest piece of Telugu literature as yet discovered. After the demise of Nannaya, there was a kind of social and religious revolution in the Telugu country.

Tikkana (13th century) and Yerrapragada (14th century) continued the translation of the Mahabharata started by Nannaya. Telugu poetry also flourished in this period, especially in the time of Srinatha.

During this period, some Telugu poets translated Sanskrit poems and dramas, while others attempted original narrative poems. The popular Telugu literary form called the Prabandha evolved during this period. Srinatha (1365–1441) was the foremost poet, who popularized this style of composition (a story in verse having a tight metrical scheme). Srinatha'sSringara Naishadham is particularly well-known.

The Ramayana poets may also be referred in this context. The earliest Ramayana in Telugu is generally known as the Ranganatha Ramayana, authored by the chief Gona Buddha Reddy. The works of Pothana (1450–1510), Jakkana (second half of the 14th century) and Gaurana (first half of the 15th century) formed a canon of religious poetry during this period. Padakavitha Pithamaha, Annamayya, contributed many original Telugu Paatalu (Songs) to the language.

The 16th and 17th centuries CE is regarded as the "golden age" of Telugu literature. Krishnadevaraya's Amukthamalayadha, and Pedhdhana's Manucharithra are regarded asMahaakaavyaas. Sri Krishnadeva Raya stated "Desa bhashalandu Telugu Lessa" meaning " Telugu is the best among the languages of the nation". Telugu literature flourished in the south in the traditional "samsthanas" (centres) of Southern literature, such as Madurai and Tanjore. This age is often referred to as the Southern Period. There were also an increasing number of poets in this period among the ruling class, women and working class who popularised indigenous (desi) meters.

With the conquest of the Deccan by the Mughals in 1687, Telugu literature entered a lull. Tyagaraja's compositions are some of the known works from this period. Then emerged a period of transition (1850–1910), followed by a long period of Renaissance. Europeans like C.P. Brown played an important role in the development of Telugu language and literature. In common with the rest of India, Telugu literature of this period was increasingly influenced by European literary forms like the novel, short story, prose and drama.

Paravastu Chinnayya Soori (1807–1861) is a well-known Telugu writer who dedicated his entire life to the progress and promotion of Telugu language and literature. Sri Chinnayasoori wrote the Bala Vyakaranam in a new style after doing extensive research on Andhra grammar. Other well-known writings by Chinnayasoori are Neethichandrika, Sootandhra Vyaakaranamu, Andhra Dhatumoola, and Neeti Sangrahamu.

Kandukuri Veeresalingam (1848–1919) is generally considered the father of modern Telugu literature. His novel Rajasekhara Charitamu was inspired by the Vicar of Wakefield. His work marked the beginning of a dynamic of socially conscious Telugu literature and its transition to the modern period, which is also part of the wider literary renaissance that took place in Indian culture during this period. Other prominent literary figures from this period are Gurajada Appa Rao, Viswanatha Satyanarayana, Gurram Jashuva, Rayaprolu Subba Rao, Devulapalli Krishnasastri and Srirangam Srinivasa Rao, popularly known as Mahakavi Sri Sri. Sri Sri was instrumental in popularising free verse in spoken Telugu (vaaduka bhasha), as opposed to the pure form of written Telugu used by several poets in his time. Devulapalli Krishnasastri is often referred to as the Shelley of Telugu literature because of his pioneering works in Telugu Romantic poetry.

Viswanatha Satyanarayana won India's national literary honour, the Jnanpith Award for his magnum opus Ramayana Kalpavrikshamu. C. Narayana Reddy won the Jnanpith Awardin 1988 for his poetic work, Viswambara. Ravuri Bharadhwaja won the 3rd Jnanpith Award for Telugu literature in 2013 for Paakudu Raallu, a graphic account of life behind the screen in film industry. Kanyasulkam, the first social play in Telugu by Gurajada Appa Rao, was followed by the progressive movement, the free verse movement and the Digambara style of Telugu verse. Other modern Telugu novelists include Unnava Lakshminarayana (Maalapalli), Bulusu Venkateswarulu (Bharatiya Tatva Sastram), Kodavatiganti Kutumba Rao and Buchi Babu.

Telugu language reduction :

                                 Now a days telugu is decreasing beacause of domination of english medium 

schools. so please encourage telugu language. After 100 years we dont have telugu teachers in 

india rarly we can find telugu teachers so encourage telugu language and fought for telugu.

                                           

  Thank you ;